Nonfiction (2013)
(Donky Pitch)
One of those pleasant enough electronic records that seems to exist at all only in the spheres of certain very specific reviewers; needless to say, it ain't easy for the rest of us to see what they're on about but maybe we're the crazy ones.
***
No Blues (2013)
(Wichita Recordings)
Hyperenthusiastic pseudo-arena rockers have invited comparisons to Fang Island, Titus Andronicus, Arcade Fire, etc. and are too sweet and sincere to be super-annoying, but their bombast doesn't have much backing it up except a lot of heart and maybe that's plenty.
***
Same Trailer Different Park (2013)
(Mercury Nashville)
Made a conscious decision to dabble in one of my few forbidden genres this year, pop-country (metal will not be joining it, sorry), and came away with some respect for a gifted performer like Musgraves but the conclusion that the on-the-nose lyricism and flat polish of the production just ain't for me.
***
Love's Crushing Diamond (2013)
(Other Music)
RECOMMENDED - Flowery, gorgeous little nothing is hypnotic in all its pillowy layers and breathy detail, better yet as diverting but unintrusive ambiance.
***
Wild Light (2013)
(Superball Music)
I prefer my background music (uh, sorry, "math rock") to avoid constantly asserting its machismo, thanks.
***
Annie Up (2013)
(RCA Nashville)
See Musgraves above, although the Annies' songs are a little better, the singing less spontaneous and interesting.
***
Double Cup (2013)
(Hyperdub)
!! CAUTION !! - Chicago footwork DJ is probably capable of making you dance if you're very high, but I can verify that he can irritate the living shit out of you while sober.
***
Wondrous Bughouse (2013)
(Fat Possum)
!!!!! AVOID !!!!! - Following an inoffensive debut I came around eventually to thinking was slightly better than decent as these dream pop-ish things go, here we go full-bore with moony, self-regarding nonsense along the lines of These New Puritans -- yo, "indie" "rock" people: this is why they hate us.
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