Sunday, March 22, 2015

Index of posts #1-600

A week shy of five years since I started this thing. Crazy.

ALPHABETICAL INDEX
KEY: [A+] / [hr] = highly recommended / [r] = recommended / [c] = caution / [NO] = avoid

(Keep in mind, we're using iTunes alphabetization here. I am well aware that from a cataloging standpoint that's total bullshit, but it keeps me from having to deal with surname ambiguities. I'm a library assistant in real life so I know this is offensive, and all I can tell you is... I like pissing you off.)

STUDIO ALBUMS
10,000 Maniacs: In My Tribe (1987) [c]
10,000 Maniacs: Blind Man's Zoo (1989)
10,000 Maniacs: Our Time in Eden (1992) [c]
13th Floor Elevators: The Psychedelic Sounds Of (1966) [hr]
13th Floor Elevators: Easter Everywhere (1967) [r]
2 Many DJ's: As Heard on Radio Soulwax, Pt. 2 (2002)
3 Mustaphas 3: Soup of the Century (1990) [c]
65daysofstatic: Wild Light (2013)
The 6ths: Wasps' Nest (1995) [hr]
The 6ths: Hyacinths and Thistles (2000) [r]
...And You Will Know Us by the Trail of Dead: Source Tags & Codes (2002) [c]
A.C. Newman: The Slow Wonder (2004) [r]
A.C. Newman: Get Guilty (2009) [r]
A$AP Rocky: LongLiveA$AP (2013) [r]
Actress: R.I.P. (2012)
Adam Green: Jacket Full of Danger (2006) [r]
Advance Base: A Shut-In's Prayer (2012) [hr]
Aesop Rock: Labor Days (2001) [r]
Against Me!: Transgender Dysphoria Blues (2014) [r]
Air: Moon Safari (1998) [hr]
Al Green Gets Next to You (1971) [hr]
Al Green: Let's Stay Together (1972) [hr]
Al Wilson: Show and Tell (1973)
Alanis Morissette: Jagged Little Pill (1995) [r]
Alexander "Skip" Spence: Oar (1969) [hr]
Alexi Murdoch: Time Without Consequence (2006) [hr]
Ali Farka Touré (1988) [r]
Allo Darlin': We Come from the Same Place (2014) [r]
alt-J: This Is All Yours (2014) [r]
AlunaGeorge: Body Music (2013) [r]
Ambrose Akinmusire: The Imagined Savior Is Far Easier to Paint (2014) [r]
Anal Cunt: I Like It When You Die (1997)
Andrew Bird: Noble Beast (2009) [hr]
Andrew Bird: Break It Yourself (2012) [r]
Andrew Bird: Hands of Glory (2012) [hr]
Andy Statman: Nashville Mornings, New York Nights (1986) [r]
Andy Stott: Luxury Problems (2012)
Andy Stott: Faith in Strangers (2014) [r]
Angel Olsen: Burn Your Fire for No Witness (2014)
Angelique Kidjo: Logozo (1991) [c]
Angelique Kidjo: Eve (2014) [r]
Angie Stone: Black Diamond (1999)
Animal Collective: Sung Tongs (2004)
The Animals: Animalism (1966) [r]
Annie: Anniemal (2004)
Annie Lennox: Diva (1992)
Anouar Brahem: Barzakh (1991) [r]
Antietam: Rope-a-Dope (1994)
The Antlers: Hospice (2009)
The Antlers: Burst Apart (2011) [hr]
The Antlers: Familiars (2014) [r]
Antibalas (2012) [r]
Antony & the Johnsons: I Am a Bird Now (2005)
Any Trouble: Where Are All the Nice Girls? (1980) [c]
Aphex Twin: Selected Ambient Works 85-92 (1992) [hr]
Aphex Twin: Syro (2014) [c]
The Apples in Stereo: Fun Trick Noisemaker (1995) [r]
The Apples in Stereo: New Magnetic Wonder (2007) [r]
AraabMUZIK: Electronic Dream (2011)
Arab Strap: Monday at the Hug & Pint (2003) [c]
Arca: Xen (2014)
Arcade Fire: Funeral (2004) [hr]
Arcade Fire: Neon Bible (2007) [hr]
Arcade Fire: The Suburbs (2010) [hr]
Arcade Fire: Reflektor (2014) [r]
Archers of Loaf: Icky Mettle (1993)
Architecture in Helsinki: In Case We Die (2005)
Arctic Monkeys: Whatever People Say I Am, That's What I'm Not (2006) [c]
Aretha Franklin: I Never Loved a Man the Way I Love You (1967) [A+]
Ariel Pink: Worn Copy (2005)
Ariel Pink's Haunted Graffiti: Before Today (2010) [hr]
Ariel Pink's Haunted Graffiti: Mature Themes (2012) [NO]
Ariel Pink: pom pom (2014) [NO]
Art Blakey: Moanin' (1958) [hr]
Art Brut: Bang Bang Rock & Roll (2005) [r]
Artful Dodger: It's All About the Stragglers (2000) [r]
Asgeir: In the Silence (2014) [hr]
Atlas Sound: Logos (2009) [r]
Atlas Sound: Parallax (2011) [hr]
The Avett Brothers: I and Love and You (2009) [hr]
The Avett Brothers: The Carpenter (2012)
The Avett Brothers: Magpie and the Dandelion (2013)
Azealia Banks: Broke with Expensive Taste (2014) [hr]
The B-52's (1979) [hr]
The B-52's: Wild Planet (1980) [hr]
Badbadnotgood: III (2014) [r]
Bassekou Kouyate & Ngoni Ba: I Speak Fula (2010) [hr]
Bassekou Kouyate & Ngoni Ba: Jama Ko (2013) [hr]
Bat for Lashes: The Haunted Man (2012)
Baths: Obsidian (2013) [r]
The Bats: Free All the Monsters (2011) [r]
The Beach Boys: Surfin' Safari (1962) [r]
Beach House: Devotion (2008) [r]
Beach House: Bloom (2012) [hr]
Beastie Boys: Hot Sauce Committee Part Two (2011) [r]
The Beatles: Please Please Me (1963) [A+]
The Beatles: With the Beatles (1963) [A+]
The Beatles: A Hard Day's Night (1964) [A+]
Beck: Morning Phase (2014) [c]
Belle & Sebastian: The Life Pursuit (2006) [hr]
Belle & Sebastian: Write About Love (2010) [r]
Ben Frost: Aurora (2014)
Ben Watt: Hendra (2014)
Best Coast: Crazy for You (2010) [r]
Beyoncé (2014) [hr]
Big Boi: Sir Lucious Left Foot- The Son of Chico Dusty (2010) [r]
Big Star: #1 Record (1972) [A+]
Big Star: Radio City (1973) [A+]
Big Star: Third / Sister Lovers (1978) [A+]
Bilal: A Love Surreal (2013)
Bill Callahan: Dream River (2013)
The Bird and the Bee: Ray Guns Are Not Just the Future (2008) [hr]
Björk: Selmasongs (2000) [hr]
Björk: Volta (2007) [r]
Björk: Biophilia (2011) [r]
Black Milk: No Poison No Paradise (2013) [r]
Blank Realm: Grassed Inn (2014) [r]
Blood Orange: Cupid Deluxe (2013) [r]
Blur: Think Tank (2003) [hr]
Boards of Canada: Tomorrow's Harvest (2013)
Bob Dylan: Together Through Life (2009) [r]
Bob Dylan: Tempest (2012) [hr]
Bob Mould: Beauty & Ruin (2014) [r]
Bon Iver (2011)
Bonde do Role: Tropical/Bacanal (2012) [r]
The Both (2014)
Braid: No Coast (2014) [c]
Brian Eno: Here Come the Warm Jets (1974) [hr]
Brian Eno: Lux (2012) [r]
Brian Eno & Karl Hyde: High Life (2014) [r]
Brian Eno & Rick Holland: Drums Between the Bells (2011) [c]
Broken Bells (2010)
Broken Social Scene (2005) [hr]
Buddy Holly: The "Chirping" Crickets (1957) [hr]
Buddy Holly (1958) [hr]
The Bug: Angels & Devils (2014)
The Byrds: Fifth Dimension (1966) [hr]
The C.A. Quintet: Trip Thru Hell (1968) [r]
Cake: Motorcade of Generosity (1994)
Cake: Fashion Nugget (1996) [c]
Cake: Prolonging the Magic (1998)
Cake: Comfort Eagle (2001)
Calexico: The Blacklight (1998)
Camera Obscura: Biggest Bluest Hi-Fi (2001) [r]
Camera Obscura: Underachievers Plaese Try Harder (2003) [hr]
Camera Obscura: Let's Get Out of This Country (2006) [hr]
Camera Obscura: My Maudlin Career (2009) [c]
Camera Obscura: Desire Lines (2013) [r]
Caribou: Our Love (2014) [hr]
Cass McCombs: Wit's End (2011)
Cat Power: The Greatest (2006) [hr]
Cat Power: Sun (2012) [r]
ceo: White Magic (2010) [r]
Charles Bradley: Victim of Love (2013) [r]
Charli XCX: True Romance (2013)
Chatham County Line: IV (2008) [hr]
Chatham County Line: Wildwood (2010) [r]
Chatham County Line: Tightrope (2014)
The Chemical Brothers: Further (2010)
Chromatics: Kill for Love (2012) [r]
Chuck Berry: After School Session (1957) [hr]
Chvrches: The Bones of What You Believe (2013) [r]
Ciara (2013) [hr]
Cities Aviv: Come to Life (2014) [hr]
Clark (2014) [r]
The Clash (1977) [A+]
The Clash: Give 'Em Enough Rope (1978) [r]
clipping.: CLPPNG (2014) [hr]
Cloud Nothings: Attack on Memory (2012) [c]
Collette: When the Music's Loud (2013) [r]
Conor Oberst: Upside Down Mountain (2014) [r]
Crystal Castles (2008)
Crystal Castles (2010) [hr]
Crystal Castles: (III) (2012)
Cults (2011) [hr]
Cults: Static (2013)
Curren$y: Jet Files (2009) [r]
Curren$y: Pilot Talk (2010) [hr]
Curren$y: Pilot Talk II (2010) [r]
Curren$y: Weekend at Burnie's (2011) [r]
Curren$y: Muscle Car Chronicles (2012)
Curren$y: The Stoned Immaculate (2012) [r]
Cut Copy: In Ghost Colours (2008) [r]
Cut Copy: Zonoscope (2011) [hr]
Cut Copy: Free Your Mind (2013) [hr]
Cymbals: The Age of Fracture (2014) [r]
D.L. Byron: This Day and Age (1980)
Daft Punk: Homework (1997) [r]
Daft Punk: Discovery (2000) [r]
Daft Punk: Random Access Memories (2013) [hr]
Damien Jurado: Brothers and Sisters of the Eternal Son (2014) [r]
Damien Rice: My Favorite Faded Fantasy (2014) [c]
Danny Brown: Old (2013) [hr]
Darkside: Psychic (2013)
Das Racist: Relax (2011) [hr]
David Bowie: The Next Day (2013) [hr]
Dawn Richard: Goldenheart (2013) [r]
De La Soul: The Grind Date (2004) [r]
Death Grips: The Money Store (2012) [NO]
The Decemberists: The Hazards of Love (2009)
The Decemberists: The King Is Dead (2011) [hr]
Deerhunter: Microcastle (2008) [r]
Deerhunter: Halcyon Digest (2010) [hr]
Deerhunter: Monomania (2013) [c]
Dent May: Do Things (2012) [r]
Dent May: Warm Blanket (2013)
Depeche Mode: Sounds of the Universe (2009) [r]
Depeche Mode: Delta Machine (2013)
Delorean: Subiza (2010) [r]
Destroyer: Kaputt (2011) [hr]
Devo: Something for Everybody (2010) [NO]
DIIV: Oshin (2012)
Dilated Peoples: Directors of Photography (2014) [r]
Dirty Beaches: Drifters / Love Is the Devil (2013) [NO]
Dirty Projectors: Swing Lo Magellan (2012)
Disclosure: Settle (2013) [r]
DJ Koze: Amygdala (2013)
DJ Quik: The Book of David (2011) [c]
DJ Rashad: Double Cup (2013) [c]
Drake: Take Care (2011) [NO]
Dum Dum Girls: Too True (2014) [r]
East India Youth: Total Strife Forever (2014) [r]
Eels: Tomorrow Morning (2010)
eels: Wonderful, Glorious (2013) [r]
eels: The Cautionary Tales of Mark Oliver Everett (2014) [c]
Elbow: The Take Off and Landing of Everything (2014)
El-P: Cancer 4 Cure (2012)
EMA: Past Life Martyred Saints (2011) [r]
EMA: The Future's Void (2014) [r]
Emeralds: Does It Look Like I'm Here? (2010) [c]
The Essex Green: Cannibal Sea (2006)
The Everly Brothers (1958) [hr]
The Everly Brothers: Songs Our Daddy Taught Us (1958) [hr]
Ex Hex: Rips (2014) [r]
The Extra Lens: Undercard (2010) [r]
The Faint: Blank Wave Arcade (1999)
Fairport Convention (1967)
Faith No More: Angel Dust (1992) [NO]
Faithless: Reverence (1996) [c]
Fang Island (2010)
Fantasia: Side Effects of You (2013) [hr]
Fatboy Slim: Better Living Through Chemistry (1996) [NO]
Feist: The Reminder (2007) [hr]
Feist: Metals (2011)
The Field: Looping State of Mind (2011) [r]
The Field: Cupid's Head (2013) [r]
Fiona Apple: The Idler Wheel... (2012) [hr]
First Aid Kit: Stay Gold (2014) [r]
FKA twigs: LP1 (2014) [NO]
The Flaming Lips: Embryonic (2009) [hr]
The Flaming Lips: The Terror (2013)
The Flaming Lips and Heady Fwends (2012)
Fleet Foxes: Helplessness Blues (2011) [c]
Flying Lotus: Cosmogramma (2010)
Flying Lotus: Until the Quiet Comes (2012)
Flying Lotus: You're Dead! (2014) [hr]
Forest Swords: Engravings (2013) [c]
Four Tet: There Is Love in You (2010) [r]
Four Tet: Beautiful Rewind (2013) [c]
Foxygen: We Are the 21st Century Ambassadors... (2013)
Frank Ocean: Channel Orange (2012) [r]
Frankie Rose: Interstellar (2012)
Fuck Buttons: Slow Focus (2013) [c]
Fucked Up: David Comes to Life (2011)
Fucked Up: Glass Boys (2014)
Future Bible Heroes: Partygoing (2013) [hr]
Future Islands: Singles (2014) [r]
Galaxie 500: Today (1988) [hr]
Galaxie 500: On Fire (1989) [hr]
Galaxie 500: This Is Our Music (1990) [A+]
Gang Gang Dance: Eye Contact (2011) [r]
Gang of Four: Content (2011) [r]
Gerard Way: Hesitant Alien (2014)
Girls: Father, Son, Holy Ghost (2011)
Godspeed You! Black Emperor: 'Allelujah! Don't Bend! Ascend (2012) [NO]
Goldfrapp: Head First (2010)
Goldfrapp: Tales of Us (2013) [r]
Gonjasufi: A Sufi and a Killer (2010)
Gossip: A Joyful Noise (2012) [c]
Great Lake Swimmers: Lost Channels (2009) [hr]
Great Lake Swimmers: New wild Everywhere (2012) [NO]
Grimes: Visions (2012)
Grizzly Bear: Shields (2012)
Grouper: The Man Who Died in His Boat (2013)
Gruff Rhys: American Interior (2014)
Handsome Boy Modeling School: So... How's Your Girl? (1999) [NO]
Haim: Days Are Gone (2013) [r]
Hamilton Leithauser: Black Hours (2014) [r]
The Haxan Cloak: Excavation (2013) [c]
Herbie Hancock: Head Hunters (1973) [hr]
Hercules & Love Affair: The Feast of the Broken Heart (2014) [r]
Hiss Golden Messenger: Lateness of Dancers (2014)
Hookworms: The Hum (2014) [r]
Horse Feathers: Cynic's New Year (2012) [r]
Hospitality: Trouble (2014) [hr]
Hot Chip: Made in the Dark (2008) [hr]
Hot Chip: One Life Stand (2010) [hr]
Hot Chip: In Our Heads (2012) [r]
How to Dress Well: Love Remains (2010) [c]
Hundred Waters: The Moon Rang Like a Bell (2014)
I Break Horses: Chiaroscuro (2014) [r]
Ice Choir: Afar (2012) [r]
Iceage: New Brigade (2011) [r]
Iceage: Plowing into the Field of Love (2014)
Ice-T: O.G. Original Gangster (1991) [r]
Ida Cox & Coleman Hawkins: Blues for Rampart Street (1961) [hr]
Imani Coppola: Chupacabra (2011) [r]
Information Society (1988) [hr]
The International Submarine Band: Safe at Home (1968) [r]
Interpol (2010) [c]
Interpol: El Pintor (2014) [r]
Iron & Wine: The Shepherd's Dog (2007) [hr]
Iron & Wine: Kiss Each Other Clean (2011) [r]
Iron & Wine: Ghost on Ghost (2013) [c]
J Dilla: Donuts (2006) [A+]
James Blake (2011) [r]
James Yorkston: Cellardyke Recording and Wassailing Society (2014) [c]
Jamie Lidell (2013) [r]
Janelle Monae: The Electric Lady (2013) [hr]
Japandroids: Celebration Rock (2012) [NO]
Jay-Z: Magna Carta Holy Grail (2013)
Jay-Z & Kanye West: Watch the Throne (2011) [r]
Jesse Boykins III: Love Apparatus (2014) [r]
Jessie Ware: Devotion (2012) [r]
Joanna Newsom: Ys (2006) [hr]
Joanna Newsom: Have One on Me (2010) [A+]
John Coltrane: Giant Steps (1960) [A+]
John Coltrane: Ballads (1962) [A+]
John Coltrane: A Love Supreme (1964) [A+]
John Maus: We Must Become the Pitiless Censors of Ourselves (2011) [r]
John Talabot: fIN (2012) [r]
Johnny Cash: With His Hot and Blue Guitar (1957) [hr]
Jon Hopkins: Immunity (2013)
Josephine Foster: I'm a Dreamer (2013) [r]
The Joy Formidable: Wolf's Law (2013)
Joyce Manor: Never Hungover Again (2014) [c]
Julia Holter: Ekstasis (2012) [c]
Julian Lynch: Mare (2010) [r]
Julianna Barwick: The Magic Place (2011)
Julianna Barwick: Nepenthe (2013) [c]
The Julie Ruin: Run Fast (2013) [hr]
Justin Timberlake: The 20/20 Experience (2013)
Kaki King: Everybody Loves You (2003) [r]
Kaki King: Legs to Make Us Longer (2004) [hr]
Kanye West: 808s & Heartbreak (2008) [hr]
Kanye West: My Beautiful Dark Twisted Fantasy (2010) [A+]
Kanye West: Yeezus (2013) [A+]
Kasey Musgraves: Same Trailer Different Park (2013)
Kate Bush: 50 Words for Snow (2011)
Kate Tempest: Everybody Down (2014) [hr]
Kelis: Food (2014) [r]
Kendrick Lamar: good kid, m.A.A.d. city (2012) [hr]
Killer Mike: R.A.P. Music (2012) [hr]
King Creosote: From Scotland with Love (2014)
The Kinks (1964) [r]
The Kinks: Kinda Kinks (1965) [hr]
The Kinks: The Kink Kontroversy (1965) [hr]
The Kinks: Face to Face (1966) [A+]
The Knife: Shaking the Habitual (2013)
KT Tunstall: Invisible Empire / Crescent Moon (2013) [r]
Kurt Vile: Smoke Ring for My Halo (2011) [NO]
L7 (1988)
L7: Smell the Magic (1990) [hr]
L7: Bricks Are Heavy (1992) [hr]
L7: Hungry for Stink (1994) [r]
La Bouche: Sweet Dreams (2014)
La Roux: Trouble in Paradise (2014) [r]
Lake Street Dive: Bad Self Portraits (2014) [hr]
Lambchop: Mr. M (2012) [r]
Laura Cantrell: No Way There from Here (2014) [r]
Lee Fields: Emma Jean (2014) [r]
Leonard Cohen: Songs of Leonard Cohen (1967) [A+]
Leonard Cohen: Songs from a Room (1969) [hr]
Leonard Cohen: Dear Heather (2004) [hr]
Leonard Cohen: Old Ideas (2012)
Leonard Cohen: Popular Problems (2014) [hr]
Lisa Germano: No Elephants (2013)
Little Richard: Here's Little Richard (1957)
London Grammar: If You Wait (2014) [r]
Lone: Reality Testing (2014)
Lord Huron: Lonesome Dreams (2012) [r]
Los Campesinos!: No Blues (2013)
Lotus Plaza: Spooky Action at a Distance (2012)
Love: Forever Changes (1967) [A+]
Lucinda Williams: Down Where the Spirit Meets the Bone (2014) [r]
Lupe Fiasco: Lasers (2011) [NO]
Lupe Fiasco: Food & Liquor II (2012) [c]
Lydia Loveless: Somewhere Else (2014)
Lykke Li: Wounded Rhymes (2011) [r]
Lykke Li: I Never Learn (2014)
Lyla Foy: Mirrors the Sky (2014) [hr]
M. Ward: Duet for Guitars #2 (1999) [r]
M. Ward: End of Amnesia (2001) [r]
M. Ward: Transfiguration of Vincent (2003) [hr]
M. Ward: A Wasteland Companion (2012)
M.I.A.: Matangi (2013) [r]
M83: Hurry Up, We're Dreaming (2011) [c]
Mac DeMarco: 2 (2012)
Mac DeMarco: Salad Days (2014) [c]
Madonna: Hard Candy (2008)
Madonna: MDNA (2012)
The Magnetic Fields: Distortion (2008) [hr]
The Magnetic Fields: Love at the Bottom of the Sea (2012) [r]
Male Bonding: Nothing Hurts (2010) [hr]
Male Bonding: Endless Now (2011) [r]
Manic Street Preachers: Futurology (2014)
Marianne Faithfull: Give My Love to London (2014) [r]
Marissa Nadler: July (2014) [c]
Mark Lanegan Band: Phantom Radio (2014) [c]
Marnie Stern: The Chronicles of Marnia (2013)
Marvin Gaye: What's Going On (1971) [A+]
Marvin Gaye: Let's Get It On (1973) [A+]
Marvin Gaye: I Want You (1976) [hr]
Mates of State: Mountaintops (2011)
Matthew Dear: Black City (2010) [r]
Maya Jane Coles: Comfort (2013) [r]
The Men: Open Your Heart (2012) [r]
The Men: New Moon (2013) [r]
Metronomy: Love Letters (2014) [r]
Metz (2012) [c]
MGMT (2013) [r]
Midnight Juggernauts: The Crystal Axis (2010) [hr]
Midnight Juggernauts: Uncanny Valley (2013)
Miguel: Kaleidoscope Dream (2012) [r]
Mikal Cronin: MCII (2013)
Miles Davis: Birth of the Cool (1950) [A+]
Miles Davis: Walkin' (1954) [A+]
Miles Davis: Relaxin' (1958) [hr]
Minor Alps: Get There (2013) [r]
Mirel Wagner: When the Cellar Children See the Light of Day (2014) [c]
Moby: Destroyed (2011) [r]
Moonface: Julia with Blue Jeans On (2013) [r]
Mount Eerie: Clear Moon (2012)
The Mountain Goats: The Life of the World to Come (2009) [hr]
The Mountain Goats: All Eternals Deck (2011) [hr]
The Mountain Goats: Transcendental Youth (2012) [r]
[Mr.] Twin Sister: In Heaven (2011) [hr]
Mr. Twin Sister (2014) [r]
Muse: The 2nd Law (2012) [c]
Mutual Benefit: Love's Crushing Diamond (2013) [r]
My Bloody Valentine: Loveless (1991) [A+]
My Bloody Valentine: mbv (2013) [r]
My Brightest Diamond: This Is My Hand (2014) [r]
Nana Grizol: Love It Love It (2008)
Nana Grizol: "Ruth" (2010)
Nas: Life Is Good (2012) [hr]
The National: Trouble Will Find Me (2013) [hr]
Neil Young: Everybody Knows This Is Nowhere (1969) [hr]
Neil Young: After the Gold Rush (1970) [A+]
Neko Case: The Worse Things Get... (2013) [r]
Neneh Cherry: Blank Project (2014) [r]
The New Pornographers: Challengers (2007) [r]
The New Pornographers: Brill Bruisers (2014) [hr]
Nicolas Jaar: Space Is Only Noise (2011) [hr]
Nine Inch Nails: Hesitation Marks (2013)
No Age: Everything in Between (2010) [c]
The Notwist: Close to the Glass (2014) [r]
Oasis: Definitely Maybe (1994) [hr]
Of Montreal: Lousy with Sylvianbriar (2013) [r]
OFF! First Four EPs (2011) [r]
Okkervil River: I Am Very Far (2011) [r]
Okkervil River: The Silver Gymnasium (2013) [r]
Old 97's: Blame It on Gravity (2008) [r]
Old 97's: The Grand Theatre, Volume One (2010)
Old 97's: The Grand Theatre Volume Two (2011) [c]
Old 97's: Most Messed Up (2014) [r]
Old Crow Medicine Show: Tennessee Pusher (2008) [hr]
Old Crow Medicine Show: Carry Me Back (2012) [c]
Old Crow Medicine Show: Remedy (2014)
Omar Souleyman: Wenu Wenu (2013) [r]
Oneohtrix Point Never: Replica (2011) [r]
Oneohtrix Point Never: R Plus Seven (2013) [hr]
Otis Redding: Otis Blue (1965) [A+]
Otis Redding: The Otis Redding Dictionary of Soul (1966) [hr]
Ought: More Than Any Other Day (2014)
OutKast: Idlewild (2006) [r]
Over the Rhine: The Long Surrender (2011) [r]
Over the Rhine: Meet Me at the Edge of the World (2013) [r]
Owen Pallett: In Conflict (2014) [r]
The Pains of Being Pure at Heart: Belong (2011) [r]
Panda Bear: Person Pitch (2007) [r]
Panda Bear: Tomboy (2011) [c]
Pantha du Prince: Black Noise (2010)
Parliament: Osmium (1970) [hr]
Parliament: Up for the Down Stroke (1974) [hr]
Parliament: Chocolate City (1975) [hr]
Parquet Courts: Sunbathing Animal (2014) [c]
Passion Pit: Gossamer (2012)
Patti Smith: Horses (1975) [A+]
Paul McCartney: New (2013) [r]
Paul Simon: So Beautiful or So What (2011)
Perfect Pussy: Say Yes to Love (2014)
Perfume Genius: Put Your Back in 2 It (2012) [r]
Perfume Genius: Too Bright (2014)
The Pernice Brothers: Goodbye, Killer (2010)
Pet Shop Boys: Please (1986) [hr]
Pet Shop Boys: Yes (2009) [hr]
Pet Shop Boys: Elysium (2012) [c]
Pet Shop Boys: Electric (2013) [hr]
Peter Gabriel: Up (2002) [hr]
Pharmakon: Bestial Burden (2014)
Phil Spector: A Christmas Gift for You (1963) [hr]
Phosphorescent: Muchacho (2013) [c]
Pink Martini: Get Happy (2013) [c]
Pistol Annies: Annie Up (2013)
PJ Harvey: Let England Shake (2011) [hr]
Polar Bear: In Each and Every One (2014) [r]
Prince: Dirty Mind (1980) [hr]
Prince: Controversy (1981) [hr]
Prince: 1999 (1982) [A+]
Prince: Purple Rain (1984) [A+]
Protomartyr: Under Color of Official Right (2014)
Purity Ring: Shrines (2012)
Quakers (2012) [r]
Queens of the Stone Age: ...Like Clockwork (2013) [c]
R.E.M.: Murmur (1983) [A+]
R.E.M.: Reckoning (1984) [hr]
R.E.M.: Collapse into Now (2011)
Radiohead: In Rainbows (2007) [A+]
Radiohead: The King of Limbs (2011) [hr]
The Range: Nonfiction (2013)
Ratking: So It Goes (2014) [hr]
Ray Charles: Genius + Soul = Jazz (1961)
Ray Charles: Modern Sounds in Country and Western Music (1962) [A+]
Real Estate: Days (2011) [r]
Real Estate: Atlas (2014)
Red Hot Chili Peppers: I'm with You (2011) [r]
Reigning Sound: Shattered (2014) [c]
The Replacements: Sorry Ma, Forgot to Take Out the Trash (1981) [r]
Rhye: Woman (2013) [hr]
Rick Ross: Mastermind (2014) [r]
Robin Thicke: Blurred Lines (2013) [c]
Robyn: Body Talk (2010) [r]
Rodney Crowell: Tarpaper Sky (2014)
The Rolling Stones: England's Newest Hit Makers (1964)
The Rolling Stones: 12 x 5 (1964) [r]
The Roots: Rising Down (2008) [r]
The Roots: undun (2012) [r]
The Roots: ...And Then You Shoot Your Cousin (2014) [r]
Rosanne Cash: The River & the Thread (2014) [r]
Royal Baths: Better Luck Next Life (2012) [c]
Run the Jewels (2013) [hr]
Run the Jewels 2 (2014) [hr]
Saint Etienne: Words and Music By (2012) [hr]
The Saints: (I'm) Stranded (1977) [hr]
The Saints: Eternally Yours (1978) [r]
The Saints: All Fool's Day (1986) [hr]
Sally Shapiro: Somewhere Else (2013) [r]
Sam Cooke: Cooke's Tour (1960)
Sam Cooke: Night Beat (1963) [A+]
Saturday Looks Good to Me: Fill Up the Room (2007) [hr]
Saturday Looks Good to Me: One Kiss Ends It All (2013) [r]
Savages: Silence Yourself (2013) [hr]
Schoolboy Q: Habits and Contradictions (2012) [c]
Scott Walker & Sunn O))): Soused (2014)
Sepalcure (2011) [r]
September Girls: Cursing the Sea (2014) [hr]
Shabazz Palaces: Black Up (2011) [hr]
Shabazz Palaces: Lese Majesty (2014) [hr]
Sharon Jones & the Dap-Kings: Give the People What They Want (2014) [r]
Sharon Van Etten: Are We There (2014) [c]
She & Him: Volume Two (2010) [r]
The Shins: Wincing the Night Away (2007) [A+]
The Shins: Port of Morrow (2012) [c]
Sleaford Mods: Divide and Exit (2014) [NO]
Sleigh Bells: Treats (2010) [NO]
Smith Westerns: Dye It Blonde (2011) [hr]
Smith Westerns: Soft Will (2013)
Smokey Robinson & the Miracles: Make It Happen (1967) [hr]
SOHN: Tremors (2014) [hr]
Speedy Ortiz: Major Arcana (2013)
Spiritualized: Sweet Heart, Sweet Light (2012) [r]
Spoon: Transference (2010) [r]
Spoon: They Want My Soul (2014) [r]
St. Vincent: Strange Mercy (2011) [r]
St. Vincent (2014) [r]
Steve Gunn: Way Out Weather (2014)
Stevie Wonder: Music of My Mind (1972) [hr]
Stevie Wonder: Talking Book (1972) [hr]
Stevie Wonder: Innervisions (1973) [A+]
Strand of Oaks: Heal (2014) [NO]
The Strokes: Angles (2011) [r]
The Strokes: Comedown Machine (2013) [hr]
Suckers: Candy Salad (2012) [hr]
Suede: Bloodsports (2013) [r]
Sufjan Stevens: Illinoise (2005) [hr]
Sufjan Stevens: The Age of Adz (2010) [hr]
Sun Kil Moon: Benji (2014) [c]
A Sunny Day in Glasgow: Sea When Absent (2014) [c]
Surfer Blood: Pythons (2013) [c]
Suzanne Vega: Tales from the Realm of the Queen of Pentacles (2014) [r]
Swans: The Seer (2012) [NO]
Sylvan Esso (2014) [r]
T.I.: King (2006) [r]
Talking Heads: 77 (1977) [hr]
Talking Heads: More Songs About Buildings and Food (1978) [A+]
Talking Heads: Fear of Music (1979) [A+]
Talking Heads: Remain in Light (1980) [A+]
The Tallest Man on Earth: There's No Leaving Now (2012) [hr]
Tame Impala: Innerspeaker (2010) [hr]
Tame Impala: Lonerism (2012) [r]
Teddy Thompson: Bella (2011) [c]
Tegan and Sara: Heartthrob (2013) [hr]
Television: Marquee Moon (1977) [A+]
Television: Adventure (1978) [hr]
Tennis: Cape Dory (2011) [r]
Terry Malts: Killing Time (2012) [hr]
Terry Malts: Nobody Realizes This Is Nowhere (2013)
The-Dream: Love King (2010) [r]
These New Puritans: Field of Reeds (2013) [c]
Tim Hecker: Ravedeath, 1972 (2011) [c]
Times New Viking: Dancer Equired (2011) [r]
Tinariwen: Emmaar (2014) [r]
Tinashe: Aquarius (2014) [hr]
Titus Andronicus: The Monitor (2010) [hr]
Titus Andronicus: Local Business (2012) [hr]
Todd Terje: It's Album Time (2014) [hr]
Toro Y Moi: Underneath the Pine (2011)
Toumani Diabate: Toumani & Sidiki (2014) [hr]
Trey Songz: Trigga (2014) [c]
tUnE-yArDs: BiRd-BrAiNs (2009) [hr]
tUnE-yArDs: whokill (2011) [A+]
tUnE-yArDs: Nikki Nack (2014) [hr]
TV on the Radio: Dear Science (2008) [hr]
TV on the Radio: Nine Types of Light (2011) [hr]
TV on the Radio: Seeds (2014) [r]
The Twilight Sad: Nobody Wants to Be Here and Nobody Wants to Leave (2014)
Twin Shadow: Forget (2010) [r]
Twin Shadow: Confess (2012) [hr]
Ty Segall: Slaughterhouse (2012)
Ty Segall: Manipulator (2014)
The Underachievers: Cellar Door (2014) [hr]
Vampire Weekend (2008) [r]
Vampire Weekend: Modern Vampires of the City (2013) [A+]
Vashti Bunyan: Heartleap (2014) [r]
The Velvet Underground & Nico (1967) [hr]
The Velvet Underground: White Light / White Heat (1968) [A+]
The Velvet Underground (1969) [A+]
Vessel: Punish, Honey (2014) [hr]
The Walkmen: Everyone Who Pretended to Like Me Is Gone (2002) [hr]
The Walkmen: Bows + Arrows (2004) [hr]
The Walkmen: A Hundred Miles Off (2006) [hr]
The Walkmen: You & Me (2008) [hr]
The Walkmen: Lisbon (2010) [hr]
The Walkmen: Heaven (2012) [hr]
The War on Drugs: Slave Ambient (2011) [NO]
Warpaint (2014) [r]
Washed Out: Within and Without (2011) [r]
Wavves: King of the Beach (2010) [r]
Waxahatchee: Cerulean Salt (2013) [r]
We Are Scientists: Barbara (2010) [NO]
Weekend: Jinx (2013) [r]
White Lung: Deep Fantasy (2014)
Wilco: The Whole Love (2011) [hr]
Wild Beasts: Present Tense (2014) [r]
Wild Nothing: Gemini (2010) [r]
Wild Nothing: Nocturne (2012) [r]
Willis Earl Beal: Acousmatic Sorcery (2012) [r]
A Winged Victory for the Sullen: Atomos (2014) [r]
Wire: Pink Flag (1977) [A+]
Wire: Red Barked Tree (2011) [r]
Wire: Change Becomes Us (2013)
Woods: With Light and With Love (2014) [r]
WU LYF: Go Tell Fire to the Mountain (2011) [NO]
Wussy: Attica (2014) [r]
Wye Oak: Civilian (2011) [r]
The xx: Coexist (2012) [hr]
Y.G.: My Krazy Life (2014) [r]
Yeah Yeah Yeahs: Mosquito (2013) [c]
Yeasayer: Fragrant World (2012) [r]
Yo Gotti: I Am (2013) [r]
Yo La Tengo: I Can Heart Beating as One (1997) [A+]
Yo La Tengo: Popular Songs (2009) [hr]
Yo La Tengo: Fade (2013) [hr]
Yoko Ono: Take Me to the Land of Hell (2013) [hr]
Young & Sick (2014) [r]
Young Fathers: Dead (2014) [r]
Youth Lagoon: The Year of Hibernation (2011) [r]
Youth Lagoon: Wondrous Bughouse (2013) [NO]
Yuck (2011) [r]

REMIX ALBUMS / MIXTAPES / FILM SCORES
A$AP Rocky: LiveLoveA$AP (2011) [hr]
Aimee Mann: Magnolia OST (1999) [c]
Big K.R.I.T.: Return of 4Eva (2011)
Björk: Selmasongs (2000) [hr]
Chance the Rapper: Acid Rap (2013)
The Chemical Brothers: Hanna OST (2011) [r]
Curren$y: Return to the Winner's Circle (2011) [hr]
Curren$y: Verde Terrace (2011)
Curren$y: New Jet City (2013)
Curren$y: The Drive-In Theatre (2014)
Curren$y & The Alchemist: Covert Coup (2011)
Das Racist: Sit Down, Man (2010) [r]
Gil Scott-Heron & Jamie xx: We're New Here (2011) [r]
Kelela: Cut 4 Me (2013) [hr]
Lupe Fiasco: Friend of the People (2012) [c]
The Mountain Goats: All Survivors Pack (2011) [r]
Radiohead: TKOL RMX 1234567 (2011)
The Weeknd: House of Balloons (2011) [r]

EP's
Advance Base: The World Is in a Bad Fix Everywhere (2013)
Alexi Murdoch: Four Songs (2002) [hr]
Andrew Bird: I Want to See Pulaski at Night (2013)
Animal Collective: Fall Be Kind (2009)
The Antlers: (together) (2011)
The Antlers: Undersea (2012) [r]
Arcade Fire (2003)
The Avalanches: At Last Alone (2001)
The B-52's: Party Mix (1981)
Burial: Kindred (2012)
Burial: Rival Dealer (2013) [r]
Colleen Green: Cujo (2011) [r]
Crystal Stilts: Radiant Door (2011) [hr]
Darkside (2011) [r]
The Decemberists: iTunes Session (2011) [r]
The Decemberists: Long Live the King (2011) [r]
Destroyer: Five Spanish Songs (2013)
Dum Dum Girls: End of Daze (2012)
The Flaming Lips: With Neon Indian (2011) [r]
Girls: Broken Dreams Club (2010) [r]
Hot Chip: We Have Remixes (2010) [r]
James Blake: CMYK (2010)
MØ: Bikini Daze (2013) [r]
Nicolas Jaar: Don't Break My Love (2011)
Okkervil River: Golden Opportunities 2 (2011)
Oneohtrix Point Never: Commissions I (2014) [r]
PAPA: A Good Woman Is Hard to Find (2011) [hr]
R.E.M.: Chronic Town (1982) [A+]
Radiohead: TKOL RMX 8 (2011)
Sufjan Stevens: All Delighted People (2010) [r]
Surfer Blood: Tarot Classics (2011) [r]
The Tallest Man on Earth: Sometimes the Blues Is Just a Passing Bird (2010) [hr]
Terrry Malts: Insides (2014) [r]
TNGHT (2012) [r]
Vampire Weekend: iTunes Session (2011) [r]
Vince Staples: Hell Can Wait (2014)
Yo La Tengo: Stupid Things (2012) [r]

COMPILATIONS
The "5" Royales: All Righty! The Apollo Recordings (1951-55) [r]
The "5" Royales: Complete King Masters (1954-60) [A+]
? & the Mysterians: Best Of- Cameo Parkway (1966-67) [hr]
101 Strings Orchestra: 20 Years of Beautiful Music (1969) [hr]
1910 Fruitgum Co.: Best Of (1968-70) [hr]
Aaron Neville: A Collection of His Best (1966-2006) [NO]
The Action: The Ultimate! Action (1964-68) [r]
Adam and the Ants: Stand and Deliver- Very Best Of (1977-95)
Adriano Celentano: Best (1975-99) [r]
The Adverts: The Singles (1977-79) [r]
Afrika Bambaataa: Looking for the Perfect Beat (1980-2001) [hr]
Al Green: Definitive Greatest Hits (1967-2007) [hr]
Al Martino: The Ultimate Al Martino (1952-79)
Alabina: L'Essentiel (1996-2000)
Alan Lomax: The Alan Lomax Popular Songbook (1933-59) [r]
Albert Ammons: The Boogie Woogie Man (1936-44) [r]
Albert Ayler: Free Form Jazz (1963-69) [hr]
Albert King: Best of (1968-73)
Alex Chilton: A Retrospective (1967-95) [r]
All Saints: All Hits (1997-2001) [r]
Amos Milburn: Bad Bad Whiskey (1947-55) [r]
The Andrews Sisters: Best Of (1937-50) [hr]
The Animals: Best Of (1964-65) [hr]
Ann Peebles: The Complete Ann Peebles on Hi Records Vol. 1 (1969-73) [r]
Archie Bell & the Drells: Tightening It Up (1967-79) [hr]
Aretha Franklin: 20 Greatest Hits (1967-74) [A+]
Art of Noise: Best Of (1983-92) [c]
Arthur "Big Boy" Crudup: Complete Recorded Works Vol. 2 (1946-49) [r]
Arthur "Big Boy" Crudup: Complete Recorded Works Vol. 3 (1949-52)
Arthur Alexander: The Ultimate (1961-75) [A+]
The Artwoods: 100 Oxford Street (1964-66)
Ashford & Simpson: Best Of (1973-90) [r]
At the Drive-In: This Station Is Non-Operational (1997-2000) [c]
B.B. King: His Definitive Greatest Hits (1951-93)
B.T. Express: Best Of (1974-80) [r]
The Beach Boys: Summer Love Songs (1963-71)
Bo Diddley: 20th Century Masters - The Millennium Collection (1955-62)
Buddy Holly: Greatest Hits (1957-59) [A+]
Cabaret Voltaire: The Original Sound of Sheffield (1978-82)
Carl Perkins: Original Sun Greatest Hits (1955-57) [A+]
Chuck Berry: The Great Twenty-Eight (1955-65) [A+]
Earl Bostic Blows a Fuse (1946-58) [r]
The Everly Brothers: Cadence Classics- 20 Greatest Hits (1957-60) [hr]
The Everly Brothers: Walk Right Back (Warner Years) (1960-69) [r]
Faces: The Definitive Rock Collection (1970-75) [NO]
Fat Boys: All Meat No Filler (1984-89) [r]
Gene Vincent: Best Of (1956-63) [A+]
Hall & Oates: The Essential Collection (1974-2001) [NO]
Hank Locklin: RCA Country Legends (1956-68) [r]
Hank Williams: 40 Greatest Hits (1947-53) [A+]
The Impressions: Definitive (1961-68) [hr]
J.B. Lenoir: Vietnam Blues (1965-66) [hr]
Jack Nitzsche: Hearing Is Believing (1962-79) [hr]
James Brown: In the Jungle Groove (1969-86)
K.C. & the Sunshine Band: Best Of (1974-89) [hr]
Oasis: The Masterplan (1994-97) [r]
Otis Redding: Very Best Of (1962-68) [r]
Ray Charles: Ultimate Hits Collection (1953-90) [hr]
R.E.M.: Eponymous (1981-85)
Sam & Dave: Sweat 'n' Soul- Anthology (1965-71) [A+]
Sam Cooke: Portrait of a Legend (1951-64) [A+]
Sam the Sham & the Pharaohs: Pharaohization (1965-67) [hr]
Smokey Robinson & the Miracles: Ooo Baby Baby- The Anthology (1961-72) [hr]
Taj Mahal: Best of (1967-74) [r]
Talking Heads: Sand in the Vaseline- Popular Favorites (1975-92) [r]
Talking Heads: Bonus Rarities and Outtakes (1975-92)
Van Morrison: Best Of (1965-89) [r]
The Yardbirds: Ultimate! (1964-69) [hr]

BOXED SETS
The Beach Boys: The Smile Sessions (1965-67) [c]
Big Star: Keep an Eye on the Sky (1970-74) [r]
Billie Holiday: The Master Takes and Singles (1935-42) [A+]
Chuck Berry: The Chess Box (1955-75) [r]
James Brown: Star Time (1956-84) [A+]
Little Richard: The Specialty Sessions (1954-60) [hr]
Phil Spector: Back to Mono (1958-69) [A+]
Sam Cooke: The Man Who Invented Soul (1957-61) [hr]

BOOTLEGS
Oasis: The Early Years (1992-95)

SINGLES & MISC. TRACKS
non-LP cuts: #

LISTS & COMMENTS ETC.
List of Lists 2014
The Best Records of 2014
Format change info
List of Lists 2013
The Best Records of 2013
Revisions & Changes / Index
The List of Lists 2012
The Best Records of 2012
Top Artists + Index
The List of Lists 2011
The Best Records of 2011
Top 100 Music Videos + Index
All-Time Top Albums + Index
The List of Lists 2010
The Best Records of 2010
Welcome & Introduction

***

SPECIAL RESEARCH UNIT
Originally this was going to be a list of artists that I'd advise the reader to investigate elsewhere because I had made up my mind about them unfavorably long before starting this blog and thus none of their releases were ever likely to be explored and evaluated here. But why would you expect this blog to be some sort of canon? Music is even more colored by personal biases than movies or literature, and it would be bigheaded of me to think that some such cataloging would be of any use to anyone. Plus it's the lazy method of acknolwedging those bands and artists in the rock idiom that, alas, I just don't get. So I thought we would make this a challenge instead -- I would roll down the same list, starting with R&R HOF inductees (it's just handy), and give them one more shot in hopes of articulating just why I don't enjoy them... or who knows, maybe discovering that I've changed. They'll be rated on the usual scale but I would ask you to please not consider them as along the lines of my usual reviews; I'm listening to them only once for this post.

The Four Seasons
The Very Best of Frankie Valli & the Four Seasons (1962-78)

(Rhino)

!! CAUTION !! * I guess I should stand by my emphatic defense of the Distinctive Frontman, but something about the way Frankie Valli exercises his larnyx never has sat well with me -- I feel like the strain is all I can hear. (Compare "Big Girls Don't Cry" to Brian Wilson's lead on "Don't Worry Baby" for some clarification.) Personal bias but I also find the vocal arrangements unbearably cloying and always have; growing up on oldies radio, this was one of the only groups that ever prompted me to change the dial. All that said, bless them for introducing "Working My Way Back to You" so the Spinners could make something of it. Must say I do slightly rate the promiscuous disco "December 1963 (Oh, What a Night)," though perhaps that's because I rate promiscuous disco in general. This set also contains a few of Valli's solo cuts, the only significant one being "Can't Take My Eyes Off You," significant strictly because it was later interpolated by my favorite promiscuous disco group.

Jimi Hendrix Experience
Are You Experienced (1967)

(Reprise)

I'm well aware of the depth of this blasphemy and there's no one not in my repertoire whom I want to love more than Hendrix; whether it's the amount of time that's passed or some allergy to the specific stylistics or some other external factor, I've tried dozens of times and failed to find his albums endearing. (Monterey Pop or Woodstock footage is a different matter.) I used to own this, Electric Ladyland and Smash Hits and I've played Axis three or four times. Trying to pare down my problems with this, I can only make it nebulous: the heaviness of the riffs doesn't wash with me -- this is strongest on "Manic Depression," which is unmistakably influential but has more in common with subsequent rock I hate than the stuff I love. But it's also true of "Foxey Lady" and "Purple Haze"; I suppose they are both so familiar that I can't hear their idiosyncracies, though I don't know why I have no such problem with someone as iconic as, say, the Beatles. That said, I have evolved on a few levels -- namely, I like Hendrix's vocals quite a bit, of course I respect and enjoy his guitar technique, and I think his version of "Hey Joe" is probably the best of all (though I do also admire the Creation's). But the big surprise was "May This Be Love." The back half of the record sort of numbs me, but "May This Be Love" sounds like some signal from a wholly different planet and I love every second of it. That track alone brings me close to putting this down as a "recommended" title (an arbitrary distinction, of course, as anyone who cares about rock music surely doesn't need this recommended to them, least of all by me); instead, I think next time we do this I will give Electric Ladyland another shot.

Cream
Disraeli Gears (1967)

(Atco)

!! CAUTION !! * This is one of two albums in this little project that I had not previously heard in full. My broad impression of Cream from limited exposure through the years seems to hold. It might be a tentpole but "Strange Brew" sounds to me like the most generic of psych-rock excursions. "World of Pain" is "As Tears Go By" only with wah wah. "Sunshine of Your Love" might employ one of the most famous riffs in rock history but does it really go anywhere with it? The rest: more riffs, more psychedelic barbership, more drugged-out drudgery. I don't hear the good in it.

The Doors
Greatest Hits (1966-71)

(Elektra)

!!!!! AVOID !!!!! * I feel justified in thinking of the Doors as an awful band, more than anything because they enabled a schmoozing wino like Jim Morrison to achieve fame. Some of their songs are catchy, though in the case of something like "Light My Fire" they completely ruin the hooks with their meandering seven-minute jam; most of them are hilariously stupid, like "Break on Through" and the immortally icky "The End." Plenty of those hooks are cribbed from other people anyway, even disregarding the time they stole an Ajax jingle; "People Are Strange" is just the Turtles turned upside down, "Break on Through" plagiarizes Ray Charles, "Hello, I Love You" (their most shamelessly pandering pop single) is a direct lift from the Kinks. (Please play it all the time though, cause Ray Davies gets all the money when you do.) But much worse than the music itself is how it provides a platform for Morrison's mixture of empty new age philosophy and self-mythologizing bullshit; he is everything disgusting about the egomaniacal, Jesus-complex side of rock & roll -- the uncredited father of Scott Stapp, Sting, Steve Perry and Richard Ashcroft. It figures that their best song by a hundred miles is the genuinely enjoyable "Touch Me," on which they admit to Morrison's true soul: as a future has-been nightclub singer in the vein of Tom Jones, suntanned and shameless, full of expired sensuality and sugary strings. It's pure Vegas, and -- on the "I'm gonna love you..." chorus, it is literally the only time in Morrison's entire career that he didn't sound like a lying macho prick.

Grateful Dead
Workingman's Dead (1970)

(Warner Bros.)

I never bought the love-the-band/hate-the-fans conceit many folks applied to this group; the Deadheads I knew in high school were typically fine people and you had to admire their level of commitment to a single artist. Complain about tape collectors if you wish but acquiring hundreds of live shows is no different than habits of mine: the acquisition of hundreds of Beatles bootlegs or every Clash, Talking Heads and Yo La Tengo live show I've been able to find. And none of those habits brought me closer to a friendly community. My exposure to the Dead's music was mostly incidental to observances of this phenomenon. I don't think I ever heard a full studio album -- only a bunch of live shows. But the structure of their music didn't appeal to me, though I rather liked Jerry Garcia's Roger McGuinn-like drawl. I don't mind the guitars, I don't mind the twang, I don't even mind the length of these eight songs which are all pretty brief. The writing just doesn't inspire me; it's pleasant enough. So as much as I might make fun of things for resembling the Dead, they really aren't anything I find objectionable. Boring, maybe, but there are worse things to be, and maybe someday I will want this particular sort of droning on in my life.

Saturday, March 14, 2015

Love: Forever Changes (1967)


(Elektra)

!!! A+ RECORDING !!!

Arthur Lee's '60s were different from everybody else's; as one of the few black leaders of a psych-rock band with a recording contract, albeit an obscure one, his perspective is a world apart from the cloudy, pillowy world of free-love hippiedom so strongly associated with Southern California in those times. But his '60s also have little in common with Jim Morrison's; his band the Doors came about at the same time, from the same city (L.A., seemingly another universe from the San Francisco of the Haight-Ashbury crowd), on the same label, yet Lee's work carries none of Morrison's obvious morbidity and schmoozing, which fuses self-conscious darkness with high school poetry. Each operated within a band that could be musically engaging but ultimately lived or died by its leader's personality, and while the Doors are unmistakably a product of their time, Lee's band Love has endured as an idiosyncratic prophecy of adventurous, complex, genuinely wonderfully weird and troubling music in the years to come. If '67 was the Summer of Love for most and the Summer of Dread for Morrison, for Lee and Love it was the Summer of Paranoia, Fear, Halting Joy.

Love's masterpiece Forever Changes has aged more gracefully than any other California album -- maybe any rock album -- of 1967; its only competition is the Beach Boys' Smiley Smile, which matches Love's florid expansiveness with its own odd minimalism, though there's a case to be made that Smiley's agelessness largely came about inadvertently. Neither album was widely noticed at the time. Forever Changes still doesn't sound old or out of step with what rock bands might attempt today, and is nearly singular in its unusual production and arrangements: almost exclusively using layered acoustic guitars, with melodies that wander off unexpectedly, occasional horns and strings and elements of psychedelia, garage rock, soul and (in "Bummer in the Summer") even genres yet to be created. It's undeniably a druggy, dreamlike experience but in a unique, personality-driven way that is unmatched elsewhere in the annals of bizarro outfits of the time from the C.A. Quintet to the Seeds. The album also stands significantly apart from Love's prior work; their singles had always been more immediately appealing and accessible than anything ever recorded by, say, the Velvet Underground. Lee had a great rock & roll voice and the band could rave up like few other American groups emanating from garage traditions; they came to prominence with, for heaven's sake, a Burt Bacharach song.

Forever Changes, on the other hand, takes its time; it's provocative and enigmatic in ways that can be initially infuriating, which may be one reason why when one has connected with it, it never seems to wear out its welcome after hundreds of plays. While so many albums of this period, even masterful ones like Sgt. Pepper, are unmistakably calculated with an ear toward the mood of the times, Forever Changes feels like it just happens to have existed when it did, to have captured somebody flying off the handle surrounded by the chaos and foreboding of its era not directly heard but unmistakably there. Alex Chilton would later generate this same sort of mood on Sister Lovers but even then, it was with a sense of intimacy and direct communication rather than of a world crashing down all around him. Lee admitted some time later that he had some sort of premonition that he was going to die soon and fashioned Forever Changes as a final message; the grandness, loopy philosophies and occasional warning tone of his lyrics seem to bear this out and provide it with a sensation that it's in some strange way a message from a different plane entirely -- nothing more than a subconscious dream, but that's enough to make it truly otherworldly.

These "final words" of Lee's -- in fact, he lived on until 2006 after a chaotic, frustrating life and career -- are really a summing up of alienation, one reason the record so strongly resonates across the generations of the alt-rock crowd, but they are also at times frustratingly oblique and startlingly ugly. ("Oh, the snot has caked against my pants / It has turned into crystal.") Rants like the one that climaxes "A House Is Not a Motel," which leads up to an atypically belligerent electric guitar explosion, are not uncommon: "And the waters turned to blood, and if you don't think so go turn on your tub, and if it's mixed with mud you see it turn to gray, and you can call my name." Tom Verlaine would later apply some of this kind of urgent surrealism with only a vague sensation of underlying logic to his lyrics for Television. Perhaps the mysteriousness is labored, but it's backed up by the music, especially on a song like "The Red Telephone" that applies espionage imagery to an Orwellian nursery rhyme slash apocalyptic treatise that inevitably comes back to sociology: "They're locking them up today / they're throwing away the key / I wonder who it'll be tomorrow, you or me?" and eventually, "we're all normal and we want our freedom."

"The Red Telephone," the loping, insistent "The Daily Planet" and the closing manifesto of advice, threat and celebration "You Set the Scene" are all magnificent songs, but the very best tracks of Forever Changes are those with a certain intimate clarity and simplicity. Lee was heavily influenced by the Byrds, the first true folk-rock band and likely the only mainstream American band to record truly left-field material and manage to get it on the charts in the '60s, and the peaks of this album share that band's fusion of the old-world and the craftily innovative, of protest and personal validation. Bryan Maclean, not Lee, wrote the opening masterpiece "Alone Again Or," an exotic western film score-tinged march infected with mariachi horns and loneliness, passionately sung by Lee. Brass returns just as effectively for the nearly perfect (deep breath) “Maybe the People Would Be the Times, or Between Clark and Hilldale,” a fusion of devastation and joy as moving as anyone’s managed in pop song format, the eventual acrobatic lovemaking between Lee and the horns something that approaches even the vocal theatrics of a Marvin Gaye or Stevie Wonder record. The Latin overtones of both songs are a far cry from the safety of radio classics “My Little Red Book” or “7 and 7 Is," though the beefy sound of the singles does reappear on the adrenaline-blast "A House Is Not a Motel" and the anthemic, hilarious, sincere romantic woes of "Bummer in the Summer."

"Between Clark and Hilldale" contains Lee's most achingly moving lyrics, directly addressing racial segregation ("moon's a common scene around my town, here where everyone is painted brown, and if we feel that's not the way let's go paint everybody gray") but also an undeniable sense of feeling apart from the world gathering around him even within the oddball context of rock music -- "oh, the music is so loud, and here I fade into the crowd." And again, in one of the most chilling stanzas, there is his belief that he is saying goodbye: "When I leave now don't you weep for me / I'll be back just save a seat for me / And if you just can't make the room / Look up and see me on the..." There are other equally gorgeous songs on the album, but not that connect quite so viscerally. Those others would be Maclean's lovely "Andmoreagain," the nearly unrecognizably Lee-sung "Old Man" and the happily tranquil "The Good Humor Man He Sees Everything Like This," all about hummingbirds in the morning and such. But the latter, after another stark but beautiful arrangement by David Angel, is broken up at the end by what sounds like an intentionally glitchy tape. Like a skipping record but more final and disturbing, it sounds like it must have been a mistake, but it's really the sound of faultlines shifting, the earthquake happening, the Lovin' Spoonful-like cheeriness unresolved and broken forever.

Forever Changes disappeared without highly charting or generating much attention for Love, and after one further single the band disbanded; Lee later used the name for various other lineups but while he was clearly the cult of personality that made Love, was the architect of their initial three albums, and produced Forever Changes himself (with Bruce Botnik), it was never the same. In a way this is appropriate; even if it was at the time the falling tree no one heard, the album feels like a culmination of Lee's sensibility and of the conflicting ideals and realities of the '60s as a whole. There was no better way to "tell it like it was," at least in California; perhaps Lou Reed did the same for the East Coast, but even he was too protected from the hippie mythos -- and too white, moreover -- to carry Lee's unique perspective of both wonder and disappointment. Lee designed Forever Changes as permanent art and as a self-referential, carefully sequenced piece unto itself -- it's one of the few albums that feels like it irrevocably belongs together without being pretentious or overly practiced in some "concept." Its subtleties, its beauty and its paranoia make it as rich and endlessly revelatory as anything in the rock discography. It still sounds like you're standing on the precipice of something when you hear it, and it still gives you reason to wonder whether that's a good thing or not.

[Includes material from an essay I wrote about the album after first hearing it in 2007, at which point I amusingly wasn't entirely sold on it -- which just goes to show, some things do take time and attention. There are very few pieces of music that mean more to me now.]

Tuesday, February 3, 2015

The List of Lists 2014

You can never quarantine the etc. etc. etc.

The compilation and 1974 song lists are both new and were a blast to make. The rest of the lists were created when I started this blog and I more or less stand by them; though I would rank almost all of them differently now, they've never been posted before and I hate wasting data. (A good example: there is no way that I would rate Parklife above Ready to Die or Funeral over Yoko now; also, I'd now switch Joanna Newsom and Iron & Wine, though I still love that I&W album dearly.) The rankings near the top of '74 and '84 are so difficult as to be all but meaningless; how to compare three masterpieces like Spring Hill Fair, Let It Be and Purple Rain, three of the best longform recordings issued in my lifetime? Same question for On the Beach and Fulfillingness only change that to before my lifetime. Speaking of which, the '74 albums list goes beyond a top ten because there are several records that richly deserve to be in there that just won't fit. The songs list isn't perfect and is probably missing some heavy hitter or another but I bet I can't list that many great singles from any year since.

Back to regular posting in a day or two!

BEST / MOST ESSENTIAL COMPILATION ALBUMS
Ranked more by my idiosyncratic listening habits than anything more objective, this is really a list of discs that seldom leave regular rotation around the house here; I play greatest-hits sets more often than albums, generally, because so many of the best artists didn't really record many great or consistent LPs. I'm not counting "twofer" discs of studio albums, or else the CD with Big Star's first two albums would probably top this list. By the way, I actually don't own #4 but I made a playlist and CDR using the Specialty Sessions box, which is a good enough investment that I advise you to do the same rather than buy it separately. (There will be a separate boxed sets list at some point I think.) #10 is two different releases but either will do the trick with a bit of judicious programming, and since nearly every Beatles album is a must-own it's preferable to any of the best-ofs that are on the market, all of which are flawed for various reasons.

1. Chuck Berry: The Great Twenty-Eight
2. Sam Cooke: Portrait of a Legend
3. Buddy Holly: Greatest Hits
4. Little Richard: The Georgia Peach
5. The Beach Boys: Endless Summer
6. Hank Williams: 40 Greatest Hits
7. Aretha Franklin: 20 Greatest Hits
8. Pet Shop Boys: Discography - The Complete Singles Collection
9. Carl Perkins: Original Sun Greatest Hits
10. The Beatles: Past Masters / Mono Masters
11. Smokey Robinson & the Miracles: Ultimate Collection
12. Elvis Presley: The Sun Sessions
13. Skip James: Complete 1930 Recordings
14. The Kinks: The Kink Kronikles
15. Marvin Gaye: Very Best Of
16. The Everly Brothers: All-Time Original Hits
17. Roy Orbison: All-Time Greatest Hits
18. The Shangri-Las: Myrmidons of Melodrama
19. Madonna: The Immaculate Collection
20. Blind Willie Johnson: Complete
21. Fela Kuti: Best of the Black President
22. John Lee Hooker: Very Best Of
23. Robert Johnson: The Complete Recordings
24. The Supremes: Ultimate Collection
25. Elvis Presley: 30 #1 Hits

1964 ALBUMS
1. John Coltrane: A Love Supreme (Impulse!) A+
2. The Beatles: A Hard Day's Night (Parlophone) A+
3. Beatles for Sale (Parlophone) A+
4. Kinda Kinks (Pye) A
5. The Beach Boys: All Summer Long (Capitol) A-
6. Chuck Berry: St. Louis to Liverpool (Chess) A-
7. Bob Dylan: The Times They Are A-Changin' (Columbia) A-
8. The Rivieras: Let's Have A Party (USA) A-
9. Herbie Hancock: Empyrean Isles (Blue Note) A-
10. Another Side of Bob Dylan (Columbia) A-

1974 ALBUMS
1. Neil Young: On the Beach (Reprise) A+
2. Stevie Wonder: Fulfillingness' First Finale (Tamla) A+
3. Parliament: Up for the Down Stroke (Casablanca) A
4. Brian Eno: Taking Tiger Mountain (By Strategy) (Island) A
5. Gram Parsons: Grievous Angel (Reprise) A
6. The Meters: Rejuvenation (Reprise) A
7. The New York Dolls: Too Much Too Soon (Mercury) A
8. Labelle: Nightbirds (Epic) A
9. Ohio Players: Skin Tight (Mercury) A
10. Richard & Linda Thompson: I Want to See the Bright Lights Tonight (Island) A
+
Leonard Cohen: New Skin for the Old Ceremony (Columbia) A
Funkadelic: Standing on the Verge of Getting It On (Westbound) A
Brian Eno: Here Come the Warm Jets (Island) A

1974 SONGS
[Except for hit singles, allowing only one song per album because I enjoy making things difficult. Did you know "Take Me to the River" was not a single? Until I did this, neither did I.]
1. Miles Davis "He Loved Him Madly" [Get Up With It]
2. Stevie Wonder "Boogie On Reggae Woman" [Fulfillingness' First Finale]
3. Al Green "Take Me to the River" [Al Green Explores Your Mind]
4. The Meters "Hey Pocky A Way" [Reuvenation]
5. Stevie Wonder "You Haven't Done Nothin'" [Fulfillingness' First Finale]
6. Brian Eno "On Some Faraway Beach" [Here Come the Warm Jets]
7. James Brown "Funky President (People It's Bad)" [Reality]
8. George McCrae "Rock Your Baby" [Rock Your Baby]
9. Average White Band "Pick Up the Pieces" [AWB]
10. Hues Corporation "Rock the Boat" [Freedom for the Stallion]
11. Harold Melvin & the Blue Notes "The Love I Lost" [Black & Blue]
12. Neil Young "For the Turnstiles" [On the Beach]
13. Gram Parsons "In My Hour of Darkness" [Grievous Angel]
14. David Bowie "Sweet Thing" [Diamond Dogs]
15. Patti Smith "Piss Factory" [non-album 7"]
16. The Rolling Stones "It's Only Rock 'n' Roll" [It's Only Rock 'n' Roll]
17. Leonard Cohen "Lover Lover Lover" [New Skin for the Old Ceremony]
18. James Brown "Papa Don't Take No Mess" [Hell]
19. Golden Earring "Radar Love" [Moontan]
20. Carol Douglas "Doctor's Orders" [The Carol Douglas Album]
21. Parliament "All Your Goodies Are Gone" [Up for the Down Stroke]
22. George McCrae "You Can Have It All" [Rock Your Baby]
23. Gladys Knight & the Pips "I've Got to Use My Imagination" [Imagination]
24. Ohio Players "Fire" [Fire]
25. Marvin Gaye "Distant Lover" [Live!]
26. Richard & Linda Thompson "The End of the Rainbow" [I Want to See the Bright Lights Tonight]
27. The New York Dolls "(There's Gonna Be A) Showdown" {Archie Bell & the Drells cover} [Too Much Too Soon]
28. Bob Marley & the Wailers "Them Belly Full (But We Hungry)" [Natty Dread]
29. Ohio Players "Skin Tight" [Skin Tight]
30. Carl Douglas "Kung Fu Fighting" [Kung Fu Fighting and Other Great Love Songs]
31. Gloria Gaynor "Never Can Say Goodbye" {Jackson 5 cover} [Never Can Say Goodbye]
32. John Cale "The Man Who Couldn't Afford to Orgy" [Fear]
33. The Flamin' Groovies "You Tore Me Down" [non-album 7"; later Shake Some Action]
34. James Brown "The Payback" [The Payback]
35. Love Unlimited Orchestra "Love's Theme" [Rhapsody in White]
36. Labelle "Lady Marmalade" [Nightbirds]
37. John Lennon "#9 Dream" [Walls and Bridges]
38. Funkadelic "Red Hot Mama" [Standing on the Verge of Getting It On]
39. Lou Reed "Kill Your Sons" [Sally Can't Dance]
40. Kool & the Gang "Jungle Boogie" [Wild and Peaceful]
41. Aretha Franklin "Until You Come Back to Me" [Let Me in Your Life]
42. The Kinks "He's Evil" [Preservation Act II]
43. Jackson 5 "Dancing Machine" [GIT: Get It Together]
44. Barry White "Can't Get Enough of Your Love, Babe" [Can't Get Enough]
45. William DeVaughn "Be Thankful for What You Got" [Be Thankful for What You Got]
46. Disco Tex & the Sex o Lettes "Get Dancin'" [Get Dancin']
47. Wings "Junior's Farm" [non-album 7"]
48. Brian Eno "Back in Judy's Jungle" [Taking Tiger Mountain (By Strategy)]
49. Hot Chocolate "Emma" [non-album 7"]
50. Ringo Starr "No No Song" [Goodnight Vienna] {actually terrible but it needs to be on this list}

1984 ALBUMS
1. The Replacements: Let It Be (Twin/Tone) A+
2. Prince: Purple Rain (Warner Bros.) A+
3. The Go-Betweens: Spring Hill Fair (Beggars Banquet) A+
4. Run-DMC (Profile) A+
5. Katrina & the Waves 2 (Attic) A
6. R.E.M.: Reckoning (I.R.S.) A
7. The Bangles: All Over the Place (Columbia) A
8. Depeche Mode: Some Great Reward (Sire) A
9. U2: The Unforgettable Fire (Island) A
10. OMD: Junk Culture (A&M) A-

1994 ALBUMS
1. Blur: Parklife (EMI) A+
2. The Notorious B.I.G.: Ready to Die (Bad Boy) A+
3. Pavement: Crooked Rain, Crooked Rain (Matador) A+
4. Nas: Illmatic (Columbia) A+
5. Jeff Buckley: Grace (Columbia) A
6. Oasis: Definitely Maybe (Epic) A
7. Johnny Cash: American Recordings (Columbia) A-
8. Common: Resurrection (Relativity) A-
9. The Magnetic Fields: The Charm of the Highway Strip (Merge) A-
10. Digable Planets: Blowout Comb (EMI) A-

2004 ALBUMS
1. Kanye West: The College Dropout (Def Jam) A+
2. Iron & Wine: Our Endless Numbered Days (Sub Pop) A
3. Joanna Newsom: The Milk Eyed Mender (Drag City) A
4. Arcade Fire: Funeral (Merge) A-
5. Björk: Medulla (Atlantic) A-
6. Saturday Looks Good to Me: Every Night (Polyvinyl) A-
7. TV on the Radio: Desperate Youth, Blood Thirsty Babes (4AD) A-
8. The Walkmen: Bows & Arrows (Record Collection) A-
9. Beulah: Yoko (Velocette) A-
10. Elliott Smith: From a Basement on the Hill (Anti-) A-

[Just for fun: 2004 is the first year within this post in which I was conscious enough of what was going on to make a best-of-the-year list. I was amusingly enough an ardent hater of Kanye West at the time and was unfamiliar with several other items above. Medulla, which I then thought was an extraordinary accomplishment and still think is pretty amazing, was #1, Leonard Cohen and Wilco made it, and I'm too embarrassed to tell you about the rest.]

Thursday, January 29, 2015

The Best Records of 2014

TOP TEN ALBUMS


Photo by Kim Leng, under Creative Commons licensing

10. Lyla Foy: Mirrors the Sky
(Sub Pop) | A- | capsule review

9. Tinashe: Aquarius
(RCA) | A- | capsule review

8. Shabazz Palaces: Lese Majesty
(Sub Pop) | A- | capsule review

7. Cities Aviv: Come to Life
(Young One) | A- | capsule review

6. Hospitality: Trouble
(Merge) | A- | capsule review

5. tUnE-yArDs: Nikki Nack
(4AD) | A | essay

4. Beyoncé
(Columbia 2013) | A | essay

3. clipping.: CLPPNG
(Sub Pop) | A | essay

2. The New Pornographers: Brill Bruisers
(Matador) | A | essay

1. Kate Tempest: Everybody Down
(Big Dada) | A | essay

***

Three years ago I thought Das Racist was going to be the future of "alternative" hip hop, but after their Sex Pistols-like implosion, it's Shabazz Palaces' Black Up that seems to have had the broadest effect on the best left-field music to come around since, with a big assist from Yeezus. Like mainstream hip hop, the underground changes and mutates faster than most of us can even begin to comprehend: Tumblr rap and cloud rap have already come and gone, and by blinking you lost any claim to authority on either of them anyway. Like all of the best popular music, hip hop seldom looks backward. And yet some of the best music of 2014 has roots in the sometimes-celebrated (ATCQ, De La), sometimes-groaned-at (Arrested Development, Jurassic 5) college hip hop of fifteen to twenty-five years ago. A prospective time traveler might even recognize the Underachievers as having something to do with a Bush I administration idea of Consciousness Rap (we'd stop short of invoking the dreaded Positive Tip), and then there's the Ishmael Butler matter.

Known as Butterfly when he recorded two extraordinary albums with his group Digable Planets back in the '90s -- they were the most Afrocentric of the middle-class political rappers in a period increasingly dominated by gangsta rap -- he participated in a few reunions that quickly burned out (I had tickets to DP's show in Wilmington in the spring of 2008 that never happened). Then, with renewed purpose and a kind of elder-statesman sense of surreal whimsy, he teased his new outfit Shabazz Palaces' debut with several coyly mysterious EPs in the early part of this decade and then joined Seattle's legendary (and legendarily malleable) Sub Pop label simultaneously with taking on a less publicized position as their A&R rep. Butler released Shabazz Palaces' second LP this year; Lese Majesty is a completely bizarre and invigorating collection of sounds and verses all but wholly divorced from the lush but driven sound of its predecessor. But Butler also signed the Los Angeles collective clipping., a trio led by the MC Daveed Diggs whose music is about as exciting a bid at recording the future of hip hop as has yet to exist. In every aspect except the esoteric openness and demographic spread of their target audience, clipping. bears no resemblance to Shabazz Palaces (save insofar as their music sounds just as otherworldly). Diggs raps and occasionally sings as though possessed, but never once deviates from the steely purpose of his frequently vivid and mordantly funny, sometimes harrowing lyrics, as likely to track a former arsonist's post-civilian redirection downfall on "Story 2" as to give emotional weight to an unstoppable radio-ready hook on "Work Work." The music uses industrial clang, alarm clocks and aural intrusion where Shabazz lulls you into false security with their cushioned but tense marriage of words and sound. These records are two sides of a coin -- it's possible that Butler isn't attempting to establish a niche, but it's almost not worth the hassle of taking that side of the argument.

We can read both Lese Majesty and CLPPNG as taking steps into the oblivion of hip hop's unknowable road ahead, and Diggs and Butler are both masters and innovators, but there's some artificially enforced narrative in play -- this isn't a linear story any longer, and the real story of alt-hip hop since 2010 is how varied and unpredictable a landscape it really is now. Run the Jewels takes the sound of vintage hardcore rap into an age of almost naive enlightenment, teaming the alt-rapper El-P with the (far more skilled) professorial grunge-gangster Killer Mike and somehow has now thrown together two albums' worth of nearly unstoppable beats and rhymes violent in their effect but never their intent. A zillion sonic miles away from RTJ is the eclectic debut from Azealia Banks, which goes about setting the stage for its star's immense talent by treating her with sheets upon sheets of varied Hollywood gauze; a small army of producers from the gifted Lil Internet to the highly suspect Ariel Pink sets about generating songs and hooks around Banks' wildly unpredictable, manic flow. Broke with Expensive Taste could hardly be more of a world apart from the two Sub Pop albums referenced above in all their starkness and minimalism: it's the old world but it feels like a new one. Yet in some ways the most enlightening discovery for me is Cities Aviv's barely-noticed Come to Life, a procession of roller-rink music over which Gavin Mays shouts, rants and bellows like it's a matter of life and death that he gets through to you -- it can be exhausting but it also turns a page in unembarrassed directness and humility.

The ascendancy of noise rap and so-called "hipster rap" isn't fully irrelevant to us here, and there's more than enough evidence that Yeezus was wrought in part by Death Grips, but really these albums that I find myself celebrating this year are the culmination of a longer story suggested by Come to Life's guest shot from Abdu Ali and by the underground mixtapes of little-heard performers like B L A C K I E, whose entire aesthetic is built on a bridging between earnest hardcore punk and the sound of abrasive, industrial hip hop. Can we admit to an increasing attraction toward things that are at times hard to listen to? Ratking's avant-rap opus So It Goes is a paean to the underbelly of a city, tough-minded, bleak and wise, not a celebration like so many records about New York -- not least being the wondrous sophomore album from the Brooklyn band Hospitality, Trouble, which pulsates with urgency and drunken romance. City symphonies are the other great presence in the music that I loved most in 2014. tUnE-yArDs' Nikki Nack isn't quite as much about Oakland as w h o k i l l was but it betrays even more of the energy, tension and terror of urban life. And it's a city symphony that tops our list this year. It's also a snapshot of just how far-flung and liberated alternative hip hop has now become.

Kate Tempest is a white British rapper whose dad is a criminal attorney. She was born in December 1985 in South East London, and London is the great fact of her stunning debut album Everybody Down. Tempest's reputation as a poet and playwright precedes her public entrance into rapping, which she in fact has been doing since she was sixteen and which she approaches with spirit and cool dedication equipped to wow any skeptic, but the main thing is unsurprisingly her writing. The album tells an honest-to-god story, with complex plotting and characterization, that not only never distracts from the presence of real, catchy, indelible songs but is compelling and remarkably humane in its own right. It carries the ring of autobiographical truth not merely because it is a London story and London is what Tempest knows, but that truth wholly comes through hard work and good judgment. Tempest looks outside of herself to find the story she must tell. It is everything that the likes of Sun Kil Moon, Sleaford Mods and Ariel Pink cannot give us, and yet all three received exponentially more acclaim on my side of the Atlantic than did Tempest. And that scares the living shit out of me.

Everybody Down doesn't desperately need me to champion it; it was up for the Mercury Prize and was very well-received in the U.K., and it's not my place to use a dubious platform like an obscure Blogger account to cast stones at the stuff I find disagreeable. But Sun Kil Moon's Benji, a song cycle about deceased family members and long-forgotten blowjobs, might be the most flagrantly overhyped record of the century; for me as a consumer of pop and a reader of pop criticism, it's maddening when what Tempest does so clearly outweighs what Mark Kozelek does in terms of the effort, passion and energy expended. Kozelek's work isn't wholly without melodic merit, and there's something to be said for an utter absence of filtering and the fearlessness that implies (though it freely manifests as well in Kozelek being a complete dick, which is neither here nor there in our present discussion). The truth remains that the conversation is nevertheless dominated by the artist doing stuff that, really and truly, most of us could do. Almost none of us could do what Tempest does. Why is she not even in the discussion? It's bothersome enough to me that it has led me to more or less extract myself from most of my contact with music writing on the web -- if I can't relate to someone on this point, I feel like I'm in such a different room from where everybody else is at that I have pretty much nothing to add.

None of this is to say that I felt disengaged from music this past year -- quite the opposite. I heard every non-metal album that received any sort of widespread critical attention, and at least sampled nearly all of those that received scattered critical attention. I don't know how many albums I checked out and didn't finish or evaluate but I would guess around 300. And I officially reviewed 140 in this space, a task made easier by my scaling back of operations this year. (Incidentally, it's only by coincidence that the top five in my list above all received full reviews; Lyla Foy was mixed in there until nearly the last minute.) I like things that drone. I like R&B. I like indie pop that sounds like R&B. As ever, I'm charmed most of all by songcraft at its finest, with aesthetics often irrelevant -- Leonard Cohen's music sounds more and more like it's emanating from a tin can, September Girls are unabashed shoegaze throwback without even a bone thrown to originality; and Lake Street Dive, whose songs charm me almost beyond my ability to express, is PBR folk-rock readymade for Morning Edition, but they sing, plead, play and express themselves as clearly and cleanly as if pop itself were some ageless thing, and goddammit maybe it is.

But we'd be remiss not to mention that when someone does get the aesthetics right, it can be glorious and life-affirming all over again. The New Pornographers' sixth album Brill Bruisers is quite possibly their best to date, something that was continuing to hit me as I put this post together. Carl Newman's lyrics make no more sense than they ever did, vague platitudes mixed with intriguing asides, but the band's fearless, large delivery is still their great weapon -- their drama divorced from context is a quirk of writing. But the greater revelation is the quirk of performance; reduced to the science and precision of writing great, surprising hooks that swell and resonate unstoppably, one after another after another, the New Pornographers could be record collector rock, power pop reduced to detached verse-chorus-verse-chorus-bridge like some robotic cotton-candy machine. Instead, Newman's gaggle of voices render it all nothing more or less than a celebration of warmth. Besides, if you're going to pare everything down to a one-sentence sentiment, you could do a lot worse than "you tell me where to be, I'll be there." So Brill Bruisers becomes heroic: barbed, pleasurable, intense and alien, the definition of pop. It lives. It envelops. It makes everything else sound silly.

***

HONORABLE MENTIONS
Others I loved in 2014

Caribou: Our Love (Merge)
Run the Jewels 2 (Mass Appeal)
Azealia Banks: Broke with Expensive Taste (Caroline)
Leonard Cohen: Popular Problems (Columbia)
Todd Terje: It's Album Time (Olsen)
Flying Lotus: You're Dead! (Warp)
Lake Street Dive: Bad Self Portraits (Signature Sounds)
Vessel: Punish, Honey (Tri Angle)
Ratking: So It Goes (XL)
SOHN: Tremors (4AD)
The Underachievers: Cellar Door: Terminus ut Exordium (Brainfeeder)
September Girls: Cursing the Sea (Fortuna Pop!)
Ásgeir: In the Silence (One Little Indian)


***

One more note: I'm not a great believer in half-decade lists for the same reason that I don't believe in a "best of the year so far" sort of thing: it's way too much work for something twice as arbitrary as is even normal for this practice. Don't get me wrong, I love making these lists but we don't need to segment our listening habits into predetermined time periods any more than we already do. The top ten of the year you see above this was arrived at painstakingly and over a long period of time -- nothing is arbitrary about it except, you know, its very existence.

With that said, we are halfway done with the 2010s and in case anyone were to ask, I assume a list of my favorite records from 2010 to now would look roughly like this, with the caveat that I haven't listened to these albums with such a list in mind and thus can't verify that I wouldn't want to make changes if I underwent the full procedure:

1. tUnE-yArDs: w h o k i l l (2011)
2. Kanye West: Yeezus (2013)
3. Vampire Weekend: Modern Vampires of the City (2013)
4. Joanna Newsom: Have One on Me (2010)
5. Kanye West: My Beautiful Dark Twisted Fantasy (2010)
6. Kendrick Lamar: good kid, m.A.A.d city (2012)
7. Das Racist: Relax (2011)
8. Janelle Monae: The ArchAndroid (2010)
9. Kate Tempest: Everybody Down (2014)
10. Shabazz Palaces: Black Up (2011)

The idea of a songs list is even more dubious but put on the spot, I nominate Newsom's "Good Intentions Paving Company" and Frank Ocean's "Lost" for #1.

***

OTHERS I LIKED IN 2014
A ridiculously long list this year -- perhaps I need to take my standards up a bit? But why should I be dishonest, an awful lot of what makes it far enough for me to even become aware of it really does merit attention, provided you're not a genre cultist. So here you go, ranked in order of preference.

Lee Fields: Emma Jean (Truth & Soul)
Ambrose Akinmusire: The Imagined Savior Is Far Easier to Paint (Blue Note)
Kelis: Food (Ninja Tune)
East India Youth: Total Strife Forever (Stolen)
Owen Pallett: In Conflict (Domino)
Metronomy: Love Letters (Because)
La Roux: Trouble in Paradise (Polydor)
Laura Cantrell: No Way There from Here (Thrift Shop)
Conor Oberst: Upside Down Mountain (Nonesuch)
Wussy: Attica (Damnably)
Tinariwen: Emmaar (Anti-)
Neneh Cherry: Blank Project (Smalltown Supersound)
Ex Hex: Rips (Merge)
First Aid Kit: Stay Gold (Columbia)
Vashti Bunyan: Heartleap (Fat Cat)
Allo Darlin': We Come from the Same Place (Slumberland)
Clark (Warp)
Interpol: El Pintor (Matador)
St. Vincent (Loma Vista)
Rick Ross: Mastermind (Def Jam)
Wild Beasts: Present Tense (Domino)
Young Fathers: Dead (Anticon)
Cymbals: The Age of Fracture (Tough Love)
The Antlers: Familiars (Anti-)
Angelique Kidjo: Eve (429)
TV on the Radio: Seeds (Harvest)
Mr. Twin Sister (s/r)
Marianne Faithfull: Give My Love to London (Dramatico)
Blank Realm: Grassed Inn (Fire)
Young & Sick (Harvest)
Future Islands: Singles (4AD)
Against Me!: Transgender Dysphoria Blues (Xtra Mile)
Suzanne Vega: Tales from the Realm of the Queen of Pentacles (Amanuensis)
Hookworms: The Hum (Domino)
EMA: The Future's Void (Matador)
Polar Bear: In Each and Every One (The Leaf Label)
My Brightest Diamond: This Is My Hand (Asthmatic Kitty)
Jesse Boykins III: Love Apparatus (Empire)
Andy Stott: Faith in Strangers (Modern Love)
alt-J: This Is All Yours (Infectious)
Lucinda Williams: Down Where the Spirit Meets the Bone (Highway 20)
Badbadnotgood: III (Pirates Blend)
Dilated Peoples: Directors of Photography (Rhymesayers Entertainment)
Dum Dum Girls: Too True (Sub Pop)
The Notwist: Close to the Glass (Sub Pop)
Spoon: They Want My Soul (Loma Vista)
Bob Mould: Beauty & Ruin (Merge)
Warpaint (Rough Trade)
Rosanne Cash: The River & the Thread (Blue Note)
Hamilton Leithauser: Black Hours (Ribbon Music)
Brian Eno & Karl Hyde: High Life (Warp)
Sharon Jones & the Dap-Kings: Give the People What They Want (Daptone)
Old 97's: Most Messed Up (ATO)
Sylvan Esso (Partisan)
Woods: With Light and With Love (Woodsist)
Y.G.: My Krazy Life (Def Jam)
Damien Jurado: Brothers and Sisters of the Eternal Son (Secretly Canadian)
The Roots: ...And Then You Shoot Your Cousin (Def Jam)
London Grammar: If You Wait (Columbia)
I Break Horses: Chiaroscuro (Bella Union)
A Winged Victory for the Sullen: Atomos (Kranky)
Hercules & Love Affair: The Feast of the Broken Heart (Moshi Moshi)

***

THE BEST SONGS OF 2014
Follow the link to a Spotify playlist of the top twenty songs below, sequenced for maximum fun. One song permitted per album. Several are difficult decisions, especially tUnE-yArDs ("Manchild"), Lake Street Dive ("Use Me Up"), clipping. ("Work Work"), Kate Tempest ("Circles") and Beyoncé ("***Flawless") and I can't promise I won't make a big switch on those in a few years.

1. Flying Lotus ft. Kendrick Lamar "Never Catch Me" [You're Dead!]
2. tUnE-yArDs "Wait for a Minute" [Nikki Nack]
3. Tinashe ft. Future "How Many Times" [Aquarius]
4. Conor Oberst "Hundreds of Ways" [Upside Down Mountain]
5. The New Pornographers "Champions of Red Wine" [Brill Bruisers]
6. Hospitality "Last Words" [Trouble]
7. Azealia Banks "Heavy Metal and Reflective" [Broke with Expensive Taste]
8. Lake Street Dive "Better Than" [Bad Self Portraits]
9. The Roots ft. Raheem "Tomorrow" [...And Then You Shoot Your Cousin]
10. Kate Tempest "Lonely Daze" [Everybody Down]
11. clipping. "Story 2" [CLPPNG]
12. Kelis "Breakfast" [Food]
13. Robyn Hitchcock "The Ghost in You" [The Man Upstairs]
14. Beyoncé "Haunted" [Beyonce]
15. Ratking "Snow Beach" [So It Goes]
16. ceo "Whorehouse" [Wonderland]
17. La Roux "Kiss and Not Tell" [Trouble in Paradise]
18. King Creosote "Bluebell, Cockleshell 123" [From Scotland with Love]
19. EMA "When She Comes" [The Future's Void]
20. Allo Darlin' "Half Heart Necklace" [We Come from the Same Place]
21. Caribou "Back Home" [Our Love]
22. Run the Jewels ft. Gangsta Boo "Love Again" [RTJ2]
23. Sohn "Lights" [Tremors]
24. Metronomy "Reservoir" [Love Letters]
25. Vince Staples "65 Hunnid" [Hell Can Wait EP]
26. Cymbals "The Natural World" [The Age of Fracture]
27. Marianne Faithfull "Going Home" {Leonard Cohen cover} [Give My Love to London]
28. Owen Pallett "In Conflict" [In Conflict]
29. Ásgeir "King and Cross" [In the Silence]
30. Katy B "5 AM" [Little Red]
31. Perfume Genius "Fool" [Too Bright]
32. Shabazz Palaces "Motion Sickness" [Lese Majesty]
33. Oneohtrix Point Never "Music for Steamed Rocks" [Commissions I EP]
34. Lee Fields "Paralyzed" [Emma Jean]
35. Mr. Twin Sister "Rude Boy" [s/t]
36. Interpol "My Desire" [El Pintor]
37. September Girls "Green Eyed" [Cursing the Sea]
38. Lyla Foy "Rumour" [Mirrors the Sky]
39. The Underachievers "Chrysalis" [Cellar Door]
40. Ambrose Akinmusire "Richard (Conduit)" [The Imagined Savior Is Far Easier to Paint]
41. Leonard Cohen "A Street" [Popular Problems]
42. Young & Sick "Ghost of a Chance" [Young & Sick]
43. Sam Amidon "Blue Mountains" [Lily-O]
44. Y.G. ft. Kendrick Lamar "Really Be" [My Krazy Life]
45. Blank Realm "Reach You on the Phone" [Grassed Inn]
46. Laura Cantrell "Can't Wait" [No Way There from Here]
47. TV on the Radio "Could You" [Seeds]
48. Broken Bells "Perfect World" [After the Disco]
49. Lucinda Williams "Protection" [Down Where the Spirit Meets the Bone]
50. Tennis "Needle and a Knife" [Ritual in Repeat]
51. Rick Ross ft. French Montana "Nobody" [Mastermind]
52. Neneh Cherry "Blank Project" [Blank Project]
53. East India Youth "Heaven, How Long" [Total Strife Forever]
54. Big K.R.I.T. ft. E-40 & Wiz Khalifa "Mind Control" [Cadillactica]
55. School of Language "A Smile Cracks" [Old Fears]
56. Suzanne Vega "I Never Wear White" [Tales from the Realm of the Queen of Pentacles]
57. St. Vincent "Digital Witness" [s/t]
58. Hookworms "Off Screen" [The Hum]
59. Wussy "Beautiful" [Attica]
60. Dum Dum Girls "Rimbaud Eyes" [Too True]
61. Dilated Peoples ft. Gangrene "Opinions May Vary" [Directors of Photography]
62. Old 97's "Ex of All You See" [Most Messed Up"
63. Simone Felice "Molly-O!" [Strangers]
64. Lydia Loveless "Wine Lips" [Somewhere Else]
65. My Brightest Diamond "Shape" [This Is My Hand]
66. Hamilton Leithauser "I Retired" [Black Hours]
67. London Grammar "Wasting My Young Years" [If You Wait]
68. Objekt "Ratchet" [Flatland]
69. Wild Beasts "Sweet Spot" [Present Tense]
70. Young Fathers "Low" [Dead]
71. Lust for Youth "Illume" [International]
72. Kindred the Family Soul "Everybody's Hustling" [A Couple Friends]
73. The Notwist "Close to the Glass" [Close to the Glass]
74. First Aid Kit "Waitress Song" [Stay Gold]
75. Terry Malts "Let You In" [Insides EP]
76. Sharon Jones & the Dap-Kings "Get Up and Get Out" [Give the People What They Want]
77. Warpaint "Biggy" [Warpaint]
78. Future Islands "A Dream of You and Me" [Singles]
79. Spoon "I Just Don't Understand" {Ann-Margret cover} [They Want My Soul]
80. The Bamboos "Helpless Blues" [Fever in the Road]
+
Bob Mould "Let the Beauty Be" [Beauty & Ruin]
I Break Horses "You Burn" [Chiaroscuro]
Chatham County Line "Girl She Used to Be" [Tightrope]

Friday, January 23, 2015

Also recommended in 2014

Sampling hundreds of releases is a monumental task, and it's not a perfect arrangement -- there are albums to which I feel obligated to give my full attention even if they aren't incredibly interesting to me personally, and then there are those with considerable potential that fall by the wayside in the attempt to hear as much as possible while not snapping my tenuous threads of sanity. What follows is a listing of 2014 releases that I heard, liked, but did not have time to listen to more than once or twice; thus I can't meaningfully "review" them, but I can point you in their direction and suggest they're worth your attention. So each record comes with a brief description and hopefully some indication of whether or not they may strike your particular fancy. (That may be extraneous if it's an established artist; I imagine you know how you feel about Conor Oberst already.) They will be in rotation over my way in the years to come for sure.

Where applicable, I've also noted up to three songs that really stood out to me so if you're on the Spotify or whatnot you can cut to the chase and not have to take my word for it all, not that you would do that anyway, o me droogs.

(Since I mentioned last year that I especially regretted not having more time for M.I.A.'s Matangi, this year I choose to single out Ambrose Akinmusire and Metronomy for the same reason -- they may both be under-graded here.)

***

I Break Horses: Chiaroscuro (Bella Union)
Very pretty, electro-tinged shoegaze from Sweden; more Chromatics than Cocteaus. ["You Burn" / "Faith" / "Weigh True Words"]

Blank Realm: Grassed Inn (Fire)
Brisbane noise-pop ramshacklers discover hooks, sinaglong choruses. ["Reach You on the Phone" / "Falling Down the Stairs"]

Sharon Jones & the Dap-Kings: Give the People What They Want (Daptone)
The usual flawless classic-soul party, undemanding but sweetly addictive. ["Get Up and Get Out" / "Slow Down, Love"]

Damien Jurado: Brothers and Sisters of the Eternal Son (Secretly Canadian)
Baroque-ish folky concept record, alternately intimate and florid but always very classic-sounding.

Warpaint (Rough Trade)
Lush but tough psych-dream pop comes equipped with Flood's peerless sonics. Great harmonies. ["Biggy" / "Feeling Alright"]

Dum Dum Girls: Too True (Sub Pop)
Dee Dee's fine writing fits well with J&MC / Siouxsie sound. ["Rimbaud Eyes" / "Cult of Love" / "Lost Boys and Girls Club"]

Angelique Kidjo: Eve (429)
Celebrated Beninese performer's cycle about African women escapes the spectre of overproduction; the results are pure joy.

Cymbals: The Age of Fracture (Tough Love)
Emotional dancefloor synthpop, a must if only to hear singer Jack Cleverly get overwhelmed. ["The Natural World" / "You Are"]

Suzanne Vega: Tales from the Realm of the Queen of Pentacles (Amanuensis)
So great to hear her voice again, and on some superb material. ["I Never Wear White" / "Fool's Complaint" / "Silver Bridge"]

The Notwist: Close to the Glass (Sub Pop)
Long-running, tricky electro rockers from Germany fit right in with the trends now. ["Close to the Glass" / "Casino"]

Rick Ross: Mastermind (Def Jam)
Extremely fond of the part where Ross checks his bank account by phone. ["Nobody" / "Thug Cry" / "Sanctified"]

Ambrose Akinmusire: The Imagined Savior Is Far Easier to Paint (Blue Note)
Brilliant crossover jazz that engages immediately; some vocal cuts drag. ["Richard (Conduit)" / "Vartha" / "Marie Christie"]

Metronomy: Love Letters (Because)
Tantalizingly minimal synthpop with vulnerable shading; potentially special. ["Reservoir" / "Monstrous" / "The Upsetter"]

London Grammar: If You Wait (Columbia)
Hyped debut is strongly sung, but beats more minimal and sporadic that I was hoping. ["Wasting My Young Years" / "Shyer"]

Polar Bear: In Each and Every One (The Leaf Label)
Avant jazz not for all tastes, surprisingly accessible if you're into the aesthetic.

Young & Sick (Harvest)
Pretentious one-man show makes unpretentious dance music. ["Ghost of a Chance" / "Counting Raindrops" / "Feel Pain"]

Badbadnotgood: III (Pirates Blend)
Hip hop-tinged jazz is less immediate than Flying Lotus' similarly vibed record but no less musically sprightly.

Sylvan Esso (Partisan)
Almost feels like a relic from the coffeeshop trip hop years -- Amelia Meath finds joy in the sometimes static songs.

Conor Oberst: Upside Down Mountain (Nonesuch)
"I used to think that time was of the essence / Now I just wish I could get some sleep." ["Hundreds of Ways" / "Zigzagging Toward the Light" / "Common Knowledge"]

Hercules & Love Affair: The Feast of the Broken Heart (Moshi Moshi)
Hi-NRG disco revival is as harmless as ever, sometimes a great joy in the right context. Never probing though.

Hamilton Leithauser: Black Hours (Ribbon Music)
Solo debut from frontman of dear departed Walkmen is not as bland as it first seems, at least toward the end. ["I Retired"]

La Roux: Trouble in Paradise (Polydor)
Fresh and invigorating, beat-driven relationship laments. ["Kiss and Not Tell" / "Silent Partner" / "Uptight Downtown"]

Dilated Peoples: Directors of Photography (Rhymesayers Entertainment)
Lessons in film history and escaping your demons from Evidence et al. ["Opinions May Vary" / "Show Me the Way"]

My Brightest Diamond: This Is My Hand (Asthmatic Kitty)
Without a doubt one of America's most unheralded, powerful voices. ["Shape" / "Lover Killer" / "I Am Not the Bad Guy"]

alt-J: This Is All Yours (Infectious)
Unassuming and inviting -- even calming -- alternative rock, so of course Pitchfork loathes it. (It's no Benji.)

Allo Darlin': We Come from the Same Place (Slumberland)
Twee London aliens write lovely songs, stumble over them charmingly. ["Half Heart Necklace" / "History Lessons" / "Angela"]

Wussy: Attica (Damnably)
First time with this Xgau-plugged cult act and I can feel its noise and the dynamic vocals growing on me. ["Beautiful"]

******

Please note that the conspicuous absence of D'Angelo in our commentary thus far is occurring because I'll be treating his record (for now) as a 2015 release. We'll get there eventually, I assume.